Matière-Lumière, untitled, ML-V-17-0704, 140 cm x 76 cm
Matière-Lumière, untitled, ML-V-17-0704, 140 cm x 76 cm, détail
Matière-Lumière, untitled, ML-SCR-18-1116, 2018, 70 cm x 23 cm x 32 cm
Matière-Lumière, untitled, ML-V-18-1227, 2018, 185 cm x 295 cm
Matière-Lumière, untitled, ML-V-17-0921, 450 cm x 1300 cm, detail
Matière-Lumière, untitled, ML-VP-20-1217, 2020, 105 cm x 75 cm
Matière-Lumière, [Stèle], ML-V-20-0621, 2020, 65 cm x 50 cm x 10 cm, socle 120 cm x 50 cm x 10 cm
Matière-Lumière, [Stèle], ML-V-20-0630, 2020, 65 cm x 50 cm x 10 cm, socle 120 cm x 50 cm x 10 cm
Matière-Lumière [Stèle], ML-V-20-0904, 2020, 65 cm x 50 cm x 10 cm, socle 120 cm x 50 cm x 10 cm
Matière-Lumière [Stèle], ML-V-20-0624, 2020, 45 cm x 55 cm x 8 cm, socle 120 cm x 55 cm x 8 cm
Matière-Lumière [Stèle], ML-V-20-1029, 2020, 65 cm x 50 cm x 10 cm, socle 120 cm x 50 cm x 10 cm
Matière-Lumière, untitled, ML-V-13-0707, 2013, 134 cm x 224 cm x 10 cm, Socle : 40 cm x 225 cm x 25 cm
Exhibition «Le contemporain dessiné», Musée des Arts décoratifs, Paris, 2016
Matière-Lumière [Stèle], ML-V-20-1030, 2020, 31 cm x 39 cm x 6 cm, socle 120 cm x 39 cm x 6 cm
Matière-Lumière, untitled, ML-VP-20-0222
Matière-Lumière, untitled, ML-VP-20-0229
Matière-Lumière, untitled, ML-VP-20-0233
Transitional space III, [Towards the light - silent transformations], dimensions variables, animation en boucle
Matière-Lumière [Towards the Light - silent transformations], n° 4817 et 4654, 180 cm x 180 cm. Exhibition «Kairos Castle», Gaasbeek Castle, Belgium, 2017.
Transitional space II, [Reconciliation, Xin-Yi], dimensions variables, animation en boucle
Transitional space II, [Reconciliation, Xin-Yi], dimensions variables, animation en boucle
Installation, Matière-Lumière [ Mirror Space ], Espace de transition I, dimensions variables, animation en boucle
Matière-Lumière, untitled, ML-V-17-0921, detail
Matière-Lumière, untitled, ML-V-14-0120, 133 cm x 73 cm
Matière-Lumière, untitled, ML-V-15-0502, 430 cm x 420 cm. Sèvres Outdoors, 2016.
(…) We are deep into the dark night. There is no more line to enter the church Saint-Etienne du Mont, place Sainte-Geneviève. The nave itself is plunged in shadows. A light at the very end of the transept gives it a medieval depth. On a giant screen set up in its choir, extended by a plastic tarpaulin on the century-old slabs, Evi Keller’s mineral visions unfold. The place is conducive to mysticism, as are these moving images. As if Turner had been making video. Or is it our eyes that, hallucinating with sleepiness, exacerbate the spectral beauty of these waters, these tree shadows, this moon, this flake tearings? Samson, son of Manoah, conqueror of the Philistines, who, thanks to his extraordinary strength, now carries the church’s enormous solid wood pulpit, seems to be the most surprised of all. His unfathomable gaze seems to give all this an unexpected meaning: a sleepless night like a challenge to the black night of time. Dawn isn’t far off.
Laurent Carpentier, Le Monde.
Nuit Blanche, October 4, 2014, Paris.
«Une nuit blanche à marquer d’un coup d’aérosol»
